The concert began with Benavides’ string quartet, ‘El Correcaminos’ (roadrunner), the state bird of New Mexico. With atmospheric, creative writing (including body percussion), it thoroughly succeeded at its programmatic purpose: to use the roadrunner to evoke four periods in his home state’s history: the American phase, the Mexican/Spanish phase, the first-people’s phase, and pre-human phase. The quartet of San Diego Symphony musicians delivered a confident performance of personality and technical polish.
Nicolás Lell Benavides’ ‘El Correcaminos’ (Paul Bodine)
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The US-Mexico Border: an Operatic Reflection (The Rehearsal Studio)
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