Crosstalk (2020) - on HOCKET: #What2020SoundsLike
Two melodicas. 1:00
Commissioned and premiered by HOCKET.
El Correcaminos (2021)
For string quartet. 25:00
Commissioned and premiered by Friction Quartet
Rinconcito (2018)
For guitar, violin, viola, and cello. 16:00
Commissioned and premiered by the Left Coast Chamber Ensemble
Ghost Trap (2017)
For two flutes and live electronics. Commissioned and premiered by Siroko Duo. 13:00
The Color Festivals (2016)
For harpsichord and string quartet. 17:00
Commissioned and premiered by Elevate Ensemble
For Max and Hannah (2015)
For two guitars (arr. Timothy Sherren) 3:30
For harp and string quartet. 3:00
Recyclate (2015)
For flute, oboe, bass clarinet, violin, viola, and cello. 6:00
Commissioned and premiered by the Left Coast Chamber Ensemble
Inspired by El Anatsui’s Hovor II.
Bog Bodies and other Macabre Miniatures
For flute, cello, electric guitar, and marimba. 9:00
My Solitude (2020)
For voice and piano.
Text by Mark Saltzman
Commissioned by Boston Court Pasadena
Patience (2020)
For soprano and piano. 5:00
Poetry by Ross Gay
Commissioned by Boston Court Pasadena
Ocho Bendiciones (2019)
For wind octet and narrator. 17:00
Commissioned and premiered by Nomad Session
Words by Benavides and Diego Dela Rosa, based on short stories by Juan B. Rael.
Ghost Light (2019)
For soprano and piano. 3:00
Words by Kelley Rourke
Performed at The Glimmerglass Festival
When I was a child (2018)
For mezzo-soprano and violin. 7:00
Words by Erin Bregman
Score upon request.
Where everything is music (2018)
For two guitars and treble voice. 5:30
Commissioned and premiered by SopraDuo.
Text by Rumi, trans. Coleman Barks.
The oldest thirst there is (2017)
For soprano and cello. 4:00
Premiered by Winnie Nieh and Matt Schwede
The Artist (2017)
For Soprano and Piano. 12:00
Commissioned and premiered by Jill Morgan Brenner
i thank You God for most this amazing day (2014)
for SATB choir. 4:00
Winner, 1st prize, SFCM Biennial Choral Composition Competition